Intervals II: Seconds and Thirds
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1.
Major and minor seconds
2.
Aural recognition of m2, M2, P4 and P8 (melodic)
3.
Aural recognition of m2, M2, P4 and P8 (harmonic)
4.
M2, P4, P5 and P8 in major keys (solfege)
5.
M2, P4, P5 and P8 in minor keys (solfege)
6.
m2, P4, P5 and P8 in major keys (solfege)
7.
m2, P4, P5 and P8 in minor keys (solfege)
8.
Notation of M2, P4, P5 and P8
9.
Notation of m2, P4, P5 and P8
10.
Aural recognition of M2, P4, P5 and P8 (melodic)
11.
Aural recognition of M2, P4, P5 and P8 (harmonic)
12.
Aural recognition of m2, P4, P5 and P8 (melodic)
13.
Aural recognition of m2, P4, P5 and P8 (harmonic)
14.
Aural recognition of m2, M2, P4, P5 and P8 (melodic) 1
15.
Aural recognition of m2, M2, P4, P5 and P8 (harmonic) 1
16.
m2, M2, P4, P5 and P8 in major keys (solfege)
17.
m2, M2, P4, P5 and P8 in minor keys (solfege)
18.
Notation of m2, M2, P4, P5 and P8
19.
Aural recognition of m2, M2, P4, P5 and P8 (melodic) 2
20.
Aural recognition of m2, M2, P4, P5 and P8 (harmonic) 2
21.
Major and minor thirds
22.
Aural recognition of m3, M3, P5 and P8 (melodic)
23.
Aural recognition of m3, M3, P5 and P8 (harmonic)
24.
M3, P4, P5 and P8 in major keys (solfege)
25.
m3, P4, P5 and P8 in minor keys (solfege)
26.
Notation of M3, P4, P5 and P8
27.
Notation of m3, P4, P5 and P8
28.
Aural recognition of M3, P4, P5 and P8 (melodic)
29.
Aural recognition of M3, P4, P5 and P8 (harmonic)
30.
Aural recognition of m3, P4, P5 and P8 (melodic)
31.
Aural recognition of m3, P4, P5 and P8 (harmonic)
32.
Aural recognition of m3, M3, P4, P5, and P8 (melodic) 1
33.
Aural recognition of m3, M3, P4, P5, and P8 (harmonic) 1
34.
Notation of m3, M3, P4, P5 and P8
35.
Aural recognition of m3, M3, P4, P5, and P8 (melodic) 2
36.
Aural recognition of m3, M3, P4, P5, and P8 (harmonic) 2
37.
Aural recognition of m2, M2, m3 and M3 (melodic) 1
38.
Aural recognition of m2, M2, m3 and M3 (harmonic) 1
39.
m2, M2, m3 and M3 in major keys (solfege)
40.
m2, M2, m3, M3 in minor keys (solfege)
41.
Notation of m2, M2, m3 and M3
42.
Aural recognition of m2, M2, m3, M3 (melodic) 2
43.
Aural recognition of m2, M2, m3 and M3 (harmonic) 2
44.
The diminished fifth (tritone)
45.
Aural recognition of m2, M2, m3, M3 and d5 (melodic) 1
46.
Aural recognition of m2, M2, m3, M3 and d5 (harmonic) 1
47.
m2, M2, m3, M3 and tritone in major keys (solfege)
48.
m2, M2, m3, M3 and tritone in minor keys (solfege)
49.
m2, M2, m3, M3, P4 and d5 in minor keys (solfege)
50.
m2, M2, m3, M3, P4, d5 and P5 in minor keys (solfege)
51.
Notation of m2, M2, m3, M3 and tritone
52.
Aural recognition of m2, M2, m3, M3 and d5 (melodic) 2
53.
Aural recognition of m2, M2, m3, M3 and d5 (harmonic) 2
54.
Aural recognition of m2, M2, m3, M3, P4, d5, P5 and P8 (melodic) 1
55.
Aural recognition of m2, M2, m3, M3, P4, d5, P5 and P8 (harmonic) 1
56.
m2, M2, m3, M3, P4, d5, P5, and P8 in major keys (solfege)
57.
m2, M2, m3, M3, P4, d5, P5 and P8 in minor keys (solfege) 1
58.
m2, M2, m3, M3, P4, d5, P5 and P8 in minor keys (solfege) 2
59.
Notation of m2, M2, m3, M3, P4, d5, P5 and P8
60.
Aural recognition of m2, M2, m3, M3, P4, d5, P5 and P8 (melodic) 2
61.
Aural recognition of m2, M2, m3, M3, P4, d5, P5 and P8 (harmonic) 2